Never to run out of idea, the pianist Shrek ticket and composer Herbie Hancock escapes again the beaten. At seventy years (1), it will be tomorrow at Cimiez, in the mythical framework of the Nice Jazz Festival, not with his cap of giant of jazz (one of the last with Sonny Rollins and Wayne Shorter), but in her clothes to all the Music Ambassador, as evidenced by his tour "Imagine Project", the name of his latest CD.
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More than all other creators of his temper, Herbie Hancock multiplied excursions outside the jazz to see if his notes were not more blue elsewhere. The discovered in 1983 its public tube very electro dance, "Rockit". The jazz purists cried blasphemy. But Herbie will never long away from the House of the father (of jazz) Fela! tickets and the prodigal son likes nothing until A Christmas Carol tickets perform a round-trip. His considerable discographic work Shrek looks like a gourmet meal: those flowing on early dishes often stall late, at the dessert. It must be said that his debut in the second quintet of Miles Davis, from 1963 to 1968, tickets for Shrek already had everything on the plate resistance. Especially if one adds "maiden Voyage", compelling registration leader Fela! ticket recorded during this period. "Herbie is one Fela! who has come to advance jazz following geniuses such as Bud Powell and A Christmas Carol ticket Thelonious Monk;" "but I have never heard anyone impose after him," wrote Miles Davis in his autobiography.
Some like the mets less subtle, more immediate but oh how restorative and venerate his final contributions to the funk with the Headhunters in the 1970s. This group had a considerable influence in the following years in jazz, funk soul and the nascent hip-hop. In 1975 with "Man Child", where you can hear the "hang up your hang ups" cult, it reached again a unmatched vertices of funk. He then returned to the "stricto sensu" jazz with the V.S.O.P. quintet composed of members A Christmas Carol of the quintet of Miles Davis in the 1960s (with the exception of Miles Davis himself, replaced by trumpeter Freddie Hubbard). And then, true to itself - that is, to all his musical love - it back to life in 1998 at the legendary Headhunters before switch, again and again, records jazz (such as "Live At Massey Hall" with Roy Hargrove and Michael Brecker in 2002) and projects with pop artists such as Sting, Annie Lennox, Paul Simon, Carlos Santana ("Possibilities" in 2005) and a tribute to Joni Mitchellin 2007 ("River: The Joni Letters").
Tomorrow evening at Nice, he will deliver his last recording "live" version, "the Imagine Project". This disk, which could call "The Peace And Love Project" - the music is, according to Herbie, "a call for universal tickets for A Christmas Carol harmony" - is devoted to revivals of some pop success that it disrupts the original versions. Let's start with "Imagine" by John Lennon. In the program, titles such as "Don't Shrek tickets Give Up" (Peter Gabriel), "Tempo De Amor" (Baden Powell and Vinicius de Moraes), "The Times, They Are changin' '" (Bob tickets for Fela! Dylan).
Finally, Herbie Hancock, who ceased to transcend boundaries and merge audio contents, symbolizes him only the festivals of modern jazz such as Nice, alongside the best of the genera. In this grand unpacking of rhythms and colours, each will find his account.